The work centers on the concept of “Horizontal History,” where the viewer is not looking back at the past, but moving in sync with it. The hard edges of the geometric forms give way to a softness found in the meditative act of return. Nsenga shrouds the ritual in a minimalist aesthetic that universalizes the specific, creating a space where spiritual lineage and modern abstraction converge.

Tawaf/Sa’y is a defining example of Knight’s ability to bridge the archive and the spirit. This faithful limited edition captures the transformative energy of the original painting, utilizing high-contrast UV printing techniques to emphasize the hypnotic pull of the pilgrimage.