THE COST OF FREEDOM

Nsenga Knight and Samah Gafar at the Contemporary Image Collective in Cairo presenting X Speaks in front of a full audience. A projection of Malcolm X interview in Cairo is behind them.

We’ve been hearing, seeing, and reading about the unrelenting Israeli attacks on Gaza since October that resulted in the loss of about 18,000 Palestinian lives. It is a horrifying present with little to no time between attacks to digest the news or even for Gazans to bury their dead. As I stand in solidarity with the oppressed people of Palestine, I share their faith in Allah’s mercy and that Palestine will be free. 

“So, undoubtedly with hardship comes ease. Undoubtedly with ˹that˺ hardship comes ˹more˺ ease.”

Quran, 94:5-6 
Black and White portrait Photograph of Black Muslim woman with zhikr beads seated in a meditative way
Nsenga Knight, As The Veil Turns: Ashura, 30 x 20 in, Black and White 35mm Photography, Archival Pigment Print

Palestinians have been resisting Israeli occupation for over 70 years. They’ll keep on resisting for however long they need to even if they lose their lives and have to rebuild their homes a thousand times over after being bombed and flattened to the ground by the oppressor. The tenacity of Palestinian faith is outstanding, and it’s in the same vein as that of my enslaved African ancestors who resisted slavery for hundreds of years to the point where it became untenable. 

Text by Prince Ibrahim Sori an African Muslim prince enslaved in antebellum America is incorporated into a wall drawing by Nsenga Knight
Nsenga Knight 2009, A Cross Time, Screenprint and Ink Wall Drawing with Fabric Adhesive, 9ft x 15t ft (Installed in 2010 at Icebox in Philadelphia PA)

In 2015 I began my social practice multimedia performance project X Speaks in which I present and perform Malcolm X’s final speeches and letters in collaboration with members from the Black Muslim community. In the 1964 speech “The Ballot or the Bullet” in Cleveland, Malcolm X said, “It’ll be ballots, or it’ll be bullets. It’ll be liberty, or it will be death.”

Projection of Malcom X on wall, artist Nsenga Knight and Translator Samah Gafar in from of audience of Cairenes at the COntemporary Image Collective in Cairo Egypt. Nsenga Knight performs her X Speaks performance art and social practice work
X Speaks: Nsenga Knight and X Collaborators (An Appeal to African Heads of State) social practice and performance project at the Contemporary Image Collective in Cairo, Egypt, with live translation by Samah Gafar.

We’re are all for certain going to die. There is no escaping this reality, so we are better off focusing on how we live and what we are willing to die for. As the descendent of Black people who lived generations under slavery I’m forever grateful to Allah that enough of them were willing to resist and risk their lives in order for me to be free. Was it worth it for Nat Turner, Toussaint Louverture, Harriet Tubman, Koffi, Denmark Vessey, and the millions of others enslaved Africans who resisted slavery to die fighting for subsequent generations to be free? 

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