NSENGA KNIGHT in the 2019 Southern Constellations Exhibition

Make Safe, Make Space featured in the 2019 Southern Constellations Exhibition

at NC A&T University

Jan. 10th – Jan. 28th.

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Make Safe, Make Space, 2014 lithograph print series with sewn muslin and fabric bricks , Photo courtesy of Justin Perry and Smith Gallery

Make Safe, Make Space is featured at NC A&T University in the 2019 Southern Constellations Exhibition— a multi-media show highlighting the work of the Southern Constellations (SoCo) Fellowship program and curatorial initiative to extend experimental arts practices, networks, and dialogues in the South. Curated by Elsewhere in collaboration with past SoCo Fellow Jessica Gaynelle Moss, the show at A&T profiles selected works from the curatorial initiative.

Artists include Fellows Nikita Gale, Stacy Lynn Waddell, Maria Molteni, Charisse Weston, Cosmo WhyteAntoine WilliamsRachel DebuqueJana HarperMictlan Studios – izelvargas.com, Magsamen and Stephen Hillerbrand, Martha WhittingtonNsenga KnightNick Szuberla, Melissa Vanderburg, John Q, Andrew Raffo Dewar

The SoCo Exhibition opens on Jan. 10th and runs through Jan. 28th.

NSENGA KNIGHT: OTHER STARS, SOLO EXHIBITION | AUG. 17 – OCT 11, 2018

FOR IMMEDIATE RELEASE

 

NSENGA KNIGHT: OTHER STARS, SOLO EXHIBITION

KWAN FONG GALLERY OF ART AND CULTURE

AUG. 17 – OCT 11, 2018

and

EXHIBITION TALK WITH HALIMA TAHA

OCT. 9, 2018 6 pm

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Nsenga Knight, Other Stars Don’t Behave So, 2013  ink and wax drawing, 20 x 30 in. Courtesy of the artist.

 

THOUSAND OAKS, CA, September 25, 2018Nsenga Knight: Other Stars, an exhibition of geometric drawings, text paintings, photographs and oral history recordings by Nsenga Knight will be on view at the Kwan Fong Gallery at California Lutheran University from August 17 – October 11, 2018. In conjunction with the Other Stars exhibition, art historian Halima Taha will present on the work of Knight in the context of the canon of African American artwork, with a focus on the overlapping influences of Western and Islamic abstraction in her work Tuesday, October 9, 2018 at 6:00pm at the Ullman Conference Center 100/101 at CLU.

The exhibition includes a survey of Knight’s works from as early as 2007 such as As the Veil Turns her photography, video and oral history project on Black women in her hometown Brooklyn Muslim community who converted to Islam prior to 1975 and pioneered some of New York’s earliest still-existing mosques; and more recent works that place Malcolm X and Ali Shariati’s pilgrimage memoirs in sociological and formal conversation with Abū Rayḥān Muḥammad ibn Aḥmad Al-Bīrūnī’s 10th-century astronomical renderings.

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Nsenga Knight As the Veil Turns (Shameelah), 2007 Archival Inkjet Print, 30 x 20 in. Courtesy of the artist.

 

Each of my artistic projects is responding to my self-reflexive question: Who am I and what is my place in this world? My artworks exist as invitations to examine new possibilities that broaden our collective imaginations and challenge traditional boundaries of race, nationhood and religion. —Nsenga Knight

On October 9, 2018  Taha will present a discussion about Knight as a contemporary artist working in film, photography, paint,   and printmaking, exploring her place as an interdisciplinary artist whose visual statements are universal, yet part of the visual culture of the African Diaspora. Given the meteoric growth of art by artists of African descent in the worldwide market, Taha will discuss Knight’s presence within it and will highlight the market interest in work that provides insight into the global experience while ultimately provoking self-reflection.

Knight (b. 1981, Brooklyn, NY) has exhibited work at the Drawing Center, Contemporary Arts Museum Houston, the Museum of Contemporary African Diasporan Art, the New Museum for Contemporary Art and MoMA PS1. She received her MFA from the University of Pennsylvania and BA in Film from Howard University. She lives and works in Cairo, Egypt and New York.

Taha is a best-selling author, curator, appraiser and independent scholar. Taha is most well-known for her groundbreaking bestseller, Collecting African American Art: Works on Paper and Canvas (Crown), the first book to validate African American art as a viable asset and commodity within the international marketplace; which created a new market for publications and exhibitions on African American art. Her work advocates the importance and value of collecting art made by American artists of African descent. She has degrees in Liberal Arts, Arts Management & Cultural Policy from Sarah Lawrence College and New York University. Currently, Taha is the President of TahaThinks,LLC, a company that provides art advisory, appraisal, collection management, and speaker services.

The Kwan Fong Gallery is located in Soiland Humanities Center at the California Lutheran University. Admission is free. The gallery is open to the public 8 a.m. to 8 p.m. Monday through Saturday. Street parking is by permit 7 a.m. to 7 p.m. Parking lots are located on Mountclef Boulevard north and south of Olsen Road.

For more information, visit https://blogs.callutheran.edu/kwanfong/ and https://nsengaknight.com/

CONTACT:

Nsenga Knight  

+201097090984      

nsengak@gmail.com

 

Rachel T. Schmid

805-493-3697

rtschmid@callutheran.edu

Website  SHARE TWEET

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#WhoIsBurningBlackChurches | Respond With Love: Rebuild Black Churches, Support Victims of Arson Across the South

I feel like a proud parent. Well, I am a proud parent but this time my proud parent feeling is about the work that my little sister Faatimah Knight is doing. She is not so little – she’s 24, but in her young age she is doing work that is thoughtful, compassionate and meaningful. A few weeks ago she rallied the America Muslim community to join my family in a collective effort to send gifts of condolences to the Emmauel AME church in Charleston South Carolina after 9 Black parishoners were killed there in a racist terrorist attack last month. Earlier this week, she posted these pictures of  Mrs. Althea, the Secretary of the Emmauel AME church receiving the flowers.

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Her latest project is leading an effort to raise funds from within the American Muslim community to assist in rebuilding Black Churches that have been victims of arson in just the past few weeks since the mass murder of 9 Black people at the Emanuel AME church in Charleston, SC. Here’s an excerpt description of her project from her Launchgood fudraising page:

8 Black churches have been burned to the ground since the shooting of 9 parishioners at Emanuel AME Church in Charleston, SC. These church burnings happened within the span of 10 days. Three were undoubtedly set by arsons; the others are pending investigation. But to many it is clear that these are attacks on Black culture, Black religion and Black lives. These kinds of attacks on Black churches are a very old form of intimidation in the South, historically used to strike fear into the hearts of Black people.

…We must always keep in mind that the Muslim community and the black community are not different communities. We are profoundly integrated in many ways, in our overlapping identities and in our relationship to this great and complicated country. We are connected to Black churches through our extended families, our friends and teachers, and our intertwined histories and convergent present.

Faatimah will be continuing to raise funds for the church rebuilding efforts until the end of Ramadan, which is next week. We are really close to the finish line. FromLauchngoodPost

To learn more about this project, and to participate in this effort visit the Launchgood page for Respond With Love: Rebuild Black Churches, Support Victims of Arson Across the South:

https://www.launchgood.com/project/respond_with_love_rebuild_black_churches_support_victims_of_arson_across_the_south