HOT ARTIST SUMMER: Social Practice, Lunches, and Being Present

I’ve been enjoying spending more and more time outside as the warmer summer weather rolled in. Don’t get me wrong, I love producing works in my studio, and during my In Situ Fellowship and Artist Residency at Queens Museum, I have spent so much time in the archives of the museum. I used to goContinue reading “HOT ARTIST SUMMER: Social Practice, Lunches, and Being Present”

A GUIDE TO BUYING NSENGA KNIGHT’S ARTWORKS

  I’ve put together this guide of available artworks and how you can purchase them according to your aesthetic needs and budget. I have also made some updates to my Website, so head over there for a more in depth look into my practice and my different projects. My Plateaus series which is inspired by theContinue reading “A GUIDE TO BUYING NSENGA KNIGHT’S ARTWORKS”

RITUALS AND COMMUNITY: CONNECTING AND MAKING SPACE FOR EACH OTHER

“Never have I witnessed such sincere hospitality and overwhelming spirit of true brotherhood as is practiced by people of all colors and races here in this ancient Holy Land, the home of Abraham, Muhammad and all the other Prophets of the Holy Scriptures. For the past week, I have been utterly speechless and spellbound byContinue reading “RITUALS AND COMMUNITY: CONNECTING AND MAKING SPACE FOR EACH OTHER”

Eid UlAdha, Hajjar, Zam Zam, and The Importance of Ritual in Islam and in My Practice

  The Eid Ul Adha celebration is one of several hajj rituals. Around this time last year, I published a series of reflections on the hajj (annual pilgrimage to Mecca) and the way this ritual has influenced and inspired my Tawaf/ Sa’y series and many more of my artworks.  My Tawaf/ Sa’y series for example, is inspired byContinue reading “Eid UlAdha, Hajjar, Zam Zam, and The Importance of Ritual in Islam and in My Practice”

For Freedom… Happy Juneteenth!

Juneteenth is an opportunity to reflect on what “freedom” is and how each of us can attain it. When the Emancipation Proclamation was read to enslaved Black people, they were told that if they were to stay on the plantation of their former master, their master would have to pay them. This began the practice ofContinue reading “For Freedom… Happy Juneteenth!”

Fitra painting series launch, my Queens Museum studio, and finding the Aida Opera – a Cairo original in the Archives

Last week was the launch of the Fitra: Amber watercolor series on Artfare’s website. The Instagram takeover went brilliantly and I’m so grateful for the love and support I was shown throughout it. I went live to share more about the series with my community and you can still watch the videos on my FacebookContinue reading “Fitra painting series launch, my Queens Museum studio, and finding the Aida Opera – a Cairo original in the Archives”

X Speaks: An Appeal to African Heads of State

Performative Reading / Social Practice with Nsenga Knight// Sunday, 27 February 2022, 7pm @ Contemporary Image Collective in Cairo, Egypt In conjunction with «The Light of Distant Stars – On Cairo and Pan Africanism», a library of research materials, gatherings and live events that is currently taking place at CIC, we cordially invite you toContinue reading “X Speaks: An Appeal to African Heads of State”

Connecting to Black History through Art: X Speaks in Cairo

Happy Black History Month!!! If you’ve been reading my blog you know that I’ve been sharing a lot about how art connects us to ourselves, our communities and others. This connection includes Black history. Every one of us connects to Black History Month differently, but I think it’s important that we all take the opportunityContinue reading “Connecting to Black History through Art: X Speaks in Cairo”

Malcolm X in Cairo, Egypt 1964

Happy Birthday to Malcolm X! From Cairo, with love. “My heart is in Cairo” – Malcom X ( el-Hajj Malik el-Shabazz (ٱلْحَاجّ مَالِك ٱلشَّبَازّ‎, ) Malcolm X had already visited Egypt 3 times in the 1960’s it is during these visits that he started to meet with officials and gave interviews. In Cairo, he attendedContinue reading “Malcolm X in Cairo, Egypt 1964”