FOR IMMEDIATE RELEASE
NSENGA KNIGHT: OTHER STARS, SOLO EXHIBITION
KWAN FONG GALLERY OF ART AND CULTURE
AUG. 17 – OCT 11, 2018
EXHIBITION TALK WITH HALIMA TAHA
OCT. 9, 2018 6 pm
Nsenga Knight, Other Stars Don’t Behave So, 2013 ink and wax drawing, 20 x 30 in. Courtesy of the artist.
THOUSAND OAKS, CA, September 25, 2018 – Nsenga Knight: Other Stars, an exhibition of geometric drawings, text paintings, photographs and oral history recordings by Nsenga Knight will be on view at the Kwan Fong Gallery at California Lutheran University from August 17 – October 11, 2018. In conjunction with the Other Stars exhibition, art historian Halima Taha will present on the work of Knight in the context of the canon of African American artwork, with a focus on the overlapping influences of Western and Islamic abstraction in her work Tuesday, October 9, 2018 at 6:00pm at the Ullman Conference Center 100/101 at CLU.
The exhibition includes a survey of Knight’s works from as early as 2007 such as As the Veil Turns her photography, video and oral history project on Black women in her hometown Brooklyn Muslim community who converted to Islam prior to 1975 and pioneered some of New York’s earliest still-existing mosques; and more recent works that place Malcolm X and Ali Shariati’s pilgrimage memoirs in sociological and formal conversation with Abū Rayḥān Muḥammad ibn Aḥmad Al-Bīrūnī’s 10th-century astronomical renderings.
Nsenga Knight As the Veil Turns (Shameelah), 2007 Archival Inkjet Print, 30 x 20 in. Courtesy of the artist.
Each of my artistic projects is responding to my self-reflexive question: Who am I and what is my place in this world? My artworks exist as invitations to examine new possibilities that broaden our collective imaginations and challenge traditional boundaries of race, nationhood and religion. —Nsenga Knight
On October 9, 2018 Taha will present a discussion about Knight as a contemporary artist working in film, photography, paint, and printmaking, exploring her place as an interdisciplinary artist whose visual statements are universal, yet part of the visual culture of the African Diaspora. Given the meteoric growth of art by artists of African descent in the worldwide market, Taha will discuss Knight’s presence within it and will highlight the market interest in work that provides insight into the global experience while ultimately provoking self-reflection.
Knight (b. 1981, Brooklyn, NY) has exhibited work at the Drawing Center, Contemporary Arts Museum Houston, the Museum of Contemporary African Diasporan Art, the New Museum for Contemporary Art and MoMA PS1. She received her MFA from the University of Pennsylvania and BA in Film from Howard University. She lives and works in Cairo, Egypt and New York.
Taha is a best-selling author, curator, appraiser and independent scholar. Taha is most well-known for her groundbreaking bestseller, Collecting African American Art: Works on Paper and Canvas (Crown), the first book to validate African American art as a viable asset and commodity within the international marketplace; which created a new market for publications and exhibitions on African American art. Her work advocates the importance and value of collecting art made by American artists of African descent. She has degrees in Liberal Arts, Arts Management & Cultural Policy from Sarah Lawrence College and New York University. Currently, Taha is the President of TahaThinks,LLC, a company that provides art advisory, appraisal, collection management, and speaker services.
The Kwan Fong Gallery is located in Soiland Humanities Center at the California Lutheran University. Admission is free. The gallery is open to the public 8 a.m. to 8 p.m. Monday through Saturday. Street parking is by permit 7 a.m. to 7 p.m. Parking lots are located on Mountclef Boulevard north and south of Olsen Road.
For more information, visit https://blogs.callutheran.edu/kwanfong/ and https://nsengaknight.com/
Rachel T. Schmid
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